EMAIL: info@hannelinerogeberg.com
SOLO EXHIBITIONS
| 2017 | Hard Sauce, Thomas Erben Gallery, New York, NY |
| 2016 | Hanneline Røgeberg, 10 Grand Press, Artist Editions & Book Fair, New York, NY |
| 2015 | Off the Bone, Blackston, New York, NY |
| 2014 | Hanneline Røgeberg, NADA Art Fair, New York, NY |
| 2013 | Never Odd Or Even, Blackston Gallery, New York, NY |
| 2011 | Fur & Sheikh, Dortmund Bodega, Oslo, Norway |
| 2009 | Form and Story, Museum of Richmond, VA |
| 2005 | Patte, Tracey Lawrence Gallery, Vancouver, B.C. |
| 2004 | Hanneline Røgeberg, University Museum Wright University, Dayton, OH |
| 2001 | Anagram, Tracey Lawrence Gallery, Vancouver, B.C. |
| 1999 | Hanneline Røgeberg: Malerier 1994-1999, Henie-Onstad Kunst Senter, Oslo, Norway |
| • | Small Works, Wittman Lawrence Gallery, Vancouver, B.C. |
| 1997 | Corpora, LaBand Art Gallery, Loyola Marymount University, Los Angeles, CA |
| 1995 | Horizons, Contemporary Art Center, Cincinnati, OH |
| 1994 | Hanneline Røgeberg, Diane Farris Gallery, Vancouver, B.C. |
| 1992 | Hanneline Røgeberg, Southern Connecticut State University, New Haven, CT |
| 1990 | Hanneline Røgeberg, Parker Zanic Gallery, Los Angeles, CA |
GROUP EXHIBITIONS
| 2017 | Put me in the Zoo, Lucien Terras Project, New York, NY |
| • | Painting in Due Time, Thomas Erben Gallery, New York, NY |
| 2016 | Baltimore Contemporary Print Fair, 10 Grand Press, Baltimore, MD |
| • | In Color, 33 Montezuma Arts, Sante Fe, NM |
| • | Inaugural Show, Galleri Riis, Oslo, Norway |
| • | Vermont Studio Benefit, curated by Glenn Goldberg, White Box, New York, NY |
| 2015 | Draw: Mapping Madness, curated by Tomas Vu and Rirkrit Tiravanija, Inside-Out Art Museum, Beijing, ChinaSkin, part 1, National Exemplar, New York, NY |
| • | Living Threads, New York Studio School Gallery, New York, NY |
| • | Plus1, curated by Wes Sherman, The Center for Contemporary Art, Bedminster, NJ/td> |
| • | “_____”, curated by Patricia Brace, No Holds Barred, New York, NY |
| 2014 | “Warm Math”, organized by Alexander May, Balice Hertling, New York, NY |
| • | “Legs”, National Exemplar, New York, NY |
| 2013 | The Rug Pulled Out From Under, Hedreen Gallery, Seattle, WA |
| 2012 | Dirt Tongue, CCA Kunsthalle Andratx, Mallorca, Spain |
| 2011 | Flesh Art, curated by Jose Rodeiro, Jersey City Museum, Jersey City, NJ |
| • | Norwegian Artists in New York Now, GalleryNO, New York, NY |
| • | Norway in New York Now, curated by Omar Lopez-Chaoud, Galleri NO, New York, NY |
| 2010 | Portraiture for the Silicone Enlightenment (Fuckheads), curated by Angela Dufresne, SCA Contemporary Art, Albuquerque, NM |
| • | A Reluctant Apparition, Sue Scott Gallery, NYC, NY |
| • | MAN DIES, Arch Collective, Brooklyn, NY |
| 2009 | Slough, David Nolan Gallery, curated by Steve DiBenedetto, NYC, NY |
| 2008 | Every Body Counts, Vestfossen Kunstmuseum, Norway |
| • | Never Did She Ever…, curated by LaToya Ruby Frazier, Mason Gross Gallery, Rutgers University, New Brunswick, NJ |
| 2007 | Norske Bilder, Galleri Brandstrup, Oslo, Norway |
| • | 30th Anniversary Exhibition, Jan Baum Gallery, Los Angeles, CA |
| • | Drawings, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY |
| 2006 | Bearings, curated by Allen Frame, PS. 122, New York, NY |
| • | Urban Visionaries, Cooper Union Gallery, New York, NY |
| 2005 | The Subjective Figure, Robert Miller Gallery, New York, NY |
| • | Desire, Kent Gallery, New York, NY |
| 2004 | Portraits, Esso Gallery, New York, NY |
| 2003 | Toronto Art Fair, Toronto, Canada |
| • | Faculty Show, Cooper Union Gallery, Cooper Union, New York, NY |
| 2002 | Perceiving Life, Frye Art Museum, Seattle, WA |
| • | Lysis, Pamela Auchincloss Project Room, New York, NY |
| 2001 | Alumni Choice Exhibition, Yale Art Gallery, New Haven, CT |
| • | ClenchClutchFlinch, Paul Rodgers Gallery/9W, New York, NY |
| 2000 | Imaging the Wunderboard, London Biennale 2000, Center for Freudian Analysis and Research, London, UK |
| • | Private World, Art in General, New York, NY |
| • | The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY |
| 1999 | Go Figure, Neiman Gallery, Columbia University, New York, NY |
| • | Sketch, Kellogg University Art Gallery, Cal State Polytechnic University, Pomona, CA |
| • | Nude in Contemporary Art, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
| • | Zero G: When Gravity Becomes Form, Whitney Museum of American Art, Stamford, CT |
| 1998 | Commitment to Image, The Museum of the University of North Texas, Denton, TX |
| 1997 | Naked Truth: The Figure in Contemporary Art, Art Gallery of Greater Victoria at Simon Frazer University, Victoria, B.C |
| • | Remembrance of Exhibitions past, Jan Baum Gallery, Los Angeles, CA |
| • | Body Language:Current Figurative Painters, Art Institute of Southern California, Laguna Beach, CA |
| 1996 | Naked, University of Hawaii Art Gallery, Honolulu, HI |
| • | Works on Paper, Tacoma Art Museum, Tacoma, WA |
| 1995 | 47th Annual Purchase Exhibition, American Arts and Letters, New York, NY |
| • | The Reconstructed Figure, Katonah Art Museum, Katonah, NY |
| • | Vital Signs, Municipal Art Gallery, Los Angeles, CA |
| • | At Century’s End: The Figure in Norwegian Painting, National Museum for Women in the Arts, Washington,D.C.; Henie-Onstad Kunst Center, Norway |
| • | 1994 Sacred and Profane, Jan Baum Gallery, Los Angeles, CA |
| • | Gallery Artists, Diane Farris, Vancouver, B.C. |
| 1993 | The Anxious Salon, MIT List Visual Arts Center, Cambridge, MA |
| • | Reciprocities: Artists Choose Artists, Institute for Contemporary Art, Portland, ME |
| 1992 | American Prints, traveling to gallery OH, gallery M, Aichi, Japan |
| • | These Painters Shaped the Last Decade, Galleri Galtung, Oslo, Norway |
| • | Gallery Artists, Jan Baum Gallery, Los Angeles, CA |
| 1991 | Synthetic History, Parker Zanic Gallery, Los Angeles, CA |
| 1990 | Introductions, Parker Zanic Gallery, Los Angeles, CA |
EDUCATION
| 1990 | MFA Painting and Printmaking, Yale University, New Haven, CT |
| 1988 | Skowhegan School of Painting and Sculpture, Skowhegan, ME |
| 1987 | BFA Painting, San Francisco Art Institute, San Francisco, CA |
| * | Yale at Norfolk Summer School for Painting and Music, Norfolk, CT |
AWARDS
| 2012 | Fondazion Andratx Residency, Andratx, Mallorca, Spain |
| 2009 | OCA Grant for Exhibition Publication for “Form &Story” |
| 2003 | Anonymous Was A Woman Grant |
| 2002 | Scholarly Excellence Award, Rutgers University |
| 2000 | Fondacion Valparaiso Residency, Spain |
| 1999 | John Simon Guggenheim Memorial Foundation Fellowship, Painting |
| 1996 | WESTAF/NEA Fellowship, Painting |
| 1994 | Royalty Research Grant, University of Washington |
| 1990 | Ingram-Merrill Fellowship |
| • | Blair Dickinson Memorial Grant |
TEACHING
| 2013- Present |
Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ |
| 2002- 13 |
Associate Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ |
| 2002- 05 |
Director of Graduate Studies, Mason Gross School of the Arts |
| 2003 | Fall semester, Visiting Artist, Cooper Union, New York, NY |
| 2001 | Spring semester, Visiting Artist, Cooper Union, New York, NY |
| 1996-02 | Assistant Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ |
| 1993-96 | Assistant Professor, Painting, University of Washington, Seattle, WA |
| 1991-93 | Lecturer in Painting, School of Art, Yale University, New Haven, CT |
| 1993 | Spring semester, Critic, School of Architecture, Yale University, Haven, CT |
SHORT TERM ENGAGEMENTS
| 2017 | Visiting Artist, Columbia University School of Art, New York, NY, Nov 1 |
| • | Visiting Artist and Critic, Vermont Studio Center, Johnson, VT, Aug 25-30 |
| • | Visiting Artist and Critic, Hunter University, New York, NY, Apr 5 |
| 2016 | Visiting Artist and Critic, Pennsylvania Academy of Fine Art, Philadelphia, PA, Feb 11 |
| • | Visiting Artist, Zimmerli Museum of Fine Art, New Brunswick, NJ, Apr 5 |
| 2015 | Visiting Artist lecture, Mason Gross School of the Arts, Rutgers, New Brunswick, NJ, Jan 28 |
| • | Visiting Artist and critic, University of the Arts, Philadelphia, PA, Apr 7 |
| 2014 | Visiting Artist and critic, Vermont STudio Program, Johnson, VT, Feb 21-26 |
| • | Visiting Artist lecture and critic, SUNY Purchase, NY, Jan 21 |
| 2013 | Visiting Artist and critic, Evergreen State College, Olympia, WA, Jan 23 |
| • | Visiting Artist and Graduate Critic, University of Washington, Seattle, WA, Jan 25 |
| • | Distinguished Visiting Artist and Critic, Maine College of Art, Portland, ME Apr 4 |
| • | Graduate Mentor, Vermont College of Art, Montpelier, fall semester |
| 2012 | Visiting Artist, Royal Danish Art Academy, Copenhagen, DK, Nov 11-14 |
| • | Visiting Artist and Graduate Critic, MICA, Baltimore, MD, Sept 25 |
| • | Visiting Artist, Vermont Studio School, Johnson, VT, May 21-27 |
| • | Visiting Artist and Critic, University of Louisville, KY, Mar 21-22 |
| 2011 | Studio Lecture to Sarah Lawrence BAs, Brooklyn, NY, Feb 12 |
| • | Gallery Talk, Dortmund Bodega, Oslo, Norway, Mar 13 |
| • | Visiting Artist and Critic, Brandeis University, Boston, Apr 18, 19 |
| 2010 | The Expert’s Mind, DeYoung Museum, San Francisco, July 8-10 |
| • | Visiting Artist lecture and critic, New York Art Academy, Apr 22 |
| • | Visiting Artist Lecture, SUNY New Paltz, NY Dec 1 |
| • | Visiting Artist and Graduate Critic, SUNY Buffalo, Buffalo, NY, Dec 6 |
| • | Visiting Artist and Critic, Kungliga Kunsthøgskolan, Stockholm, Sweden, Dec13,14 |
| 2009 | Panel Discussion for “Form and Story”, Richmond Museum, Richmond, VA, Jan 20 |
| • | Visiting Artist Lecture and MFA Critic, RISD, RI, Apr 20, 21 |
| • | Visiting Artist and Critic, Skowhegan School of Art, Skowhegan, ME, Summer |
| • | Distinguished Lecturer, Mercer County College, NJ, Oct 13 |
| 2006 | Visiting Artist lecture and critic, Colby College, ME, April 11 |
| • | Visiting Artist lecture, Mason Gross School of the Arts, New Brunswick, NJ, Jan 25 |
| • | Visiting critic, Art OMI residency, Ghent, NY, July 18, 19 |
| 2005 | Visiting Artist lecture and critic, University of the Arts, Philadelphia, PA, Nov 30 |
| • | Visiting Artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, April 11 |
| • | Visiting artist lecture and critic, Williams College, Williamstown, MA, May 5 |
| 2004 | Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, February 16 |
| • | Visiting artist lecture, Wright State University, Dayton, OH, November 7 |
| 2003 | Visiting artist lecture and critic, MacAlester College, Minneapolis, MN, May 7 |
| • | Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, March 10 |
| 2002 | Visiting artist lecture and graduate critic, Montclair State University, Montclair, NJ, February 6, March 6, April 17 |
| • | Visiting artist lecture and critic, Maine College of Art, Portland, ME, February 22 |
| 2001 | Lecture, New York Studio School, New York, NY May 1 |
| • | Visiting artist lecture and graduate critic, American University, Washington, D.C., October 23, November 13, December 4 |
| • | Visiting artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, October 10 |
| • | Lecture, Contemporary Art Gallery, Vancouver, B.C. Canada, October 20 |
| • | Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, August 15-22 |
| 2000 | Panel and lecture, CAA conference, chair by Joan Semmel, New York, NY, February 20 |
| • | Panel and lecture, “Writing the Body”, Green College, University of British Columbia, B.C. April 5 |
| • | Visiting artist lecture and critic, Emily Carr College of Art and Design, Vancouver, B.C., April 6 |
| • | Week long Workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA August 16-23 |
| • | Visiting artist lecture and critic, California State University, Long Beach, CA, September 13 |
| • | Visiting artist lecture, New York Academy, New York, NY, October 12, 1999 Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA August 11- 18 |
| • | Lecture, Henie-Onstad Kunst Center, Oslo, Norway, October 17 |
| • | Visiting artist, invited to do a series of etchings in the Neiman print shop, Columbia University, New York, NY , November 1-7 |
| 1998 | Visiting artist lecture and critic, Cooper Union, New York, NY, November 2, 9, 16 |
| • | Visiting artist lecture and critic, University of North Texas, TX, October 5 |
| • | Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA August 16-23 |
| • | Visiting artist lecture and critic, University of Indiana, Bloomington, IN, March 6,7,8 |
| • | Visiting artist lecture and graduate critic, Pennsylvania Academy, Philadelphia, PA. April 9 |
| 1997 | Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA November 17 |
| • | Visiting artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, October 21 |
| • | Visiting artist and critic, Maine College of Art, Portland, ME, October 20 |
| • | Visiting artist lecture, invited to do a lithograph in print shop, School of Art, Yale University, New Haven, CT February 28 |
| 1996 | Visiting artist lecture and graduate critic, University of Hawaii, Honolulu, HI, March 2 |
| 1995 | Visiting artist lecture, Cornish college of Art, Seattle, WA, April 3 |
| 1994 | Visiting artist lecture and critic, Emily Carr College of Art and Design, Vancouver, B.C. December 8 |
| • | Visiting Artist lecture, Fine Arts Work Center, Provincetown, MA November 25 |
| 1993 | Visiting artist lecture and graduate critic, San Francisco Art Institute, CA, December 7 |
| • | Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, October 18 |
| • | Visiting artist lecture and graduate critic, Cornell University, Ithaca, NY, March 5 |
| • | Visiting artist lecture and graduate critic, Carnegie-Mellon University, Pittsburgh, PA, March 9 |
| 1992 | Visiting artist lecture and critic, Maine College of Art, Portland, ME April 15-17 |
| • | Visiting artist lecture and workshop, Yale at Norfolk, Norfolk, CT September 19 |
| • | Visiting artist lecture, New Haven Public Library, CT March 26 |
| 1991 | Visiting artist lecture, Nova Scotia College of Art and Design, Halifax, NS, Canada, March 8 |
| 1990 | Visiting artist lecture, University of Iowa, Iowa City, IA April 24 |
| 1989 | Introductory lecture given at first “Day Without Art:World AIDS Day” School of Art, Yale University, New Haven, CT December 1 |
PANELS, JURYING, CURATING
| 2012 | Panel discussion in conjunction with exhibit “Form & Story”, moderated by Liz Schlatter, Museum of Richmond, VA, Jan 19 | |
| • | Lecture and panel discussion “Painting/Paradox” moderated by Gavin Jantjes, Nasjonalmuseet, Oslo, Norway Nov 17 | |
| • | Co-curating “Dirt Tongue” with Suzanne McClelland, Kunsthalle CCA Andratx, Mallorca, Spain July/Aug | 2009 |
| 2001 | Panel discussion in conjuction with exhibit ClenchClutchFlinch, moderated by Dominique Nahas, Paul Rodgers Gallery/9W, New York, NY June 26 | |
| • | Appearance/feature in “EGG”, Channel 13’s Television Arts Magazine, screened November 2 | |
| 2000 | CAA Conference panel: “The Body in Art” chaired by Joan Semmel, New York, February 20 | |
| 1998 | Curating “Carol Schlosberg 1957-1998” and writing text for catalog, Yale Art Gallery, New Haven, CT, June 15 to August 15 | |
| 1996 | Radio interview with Shelley Bancroft on “Art in your Ear”, UW Station, July 20 | |
| 1994 | Discussion and tour with Jeffry Mitchell, Seattle Museum, WA October 22 | |
| 1993 | Panel discussion:”Narrative Content in Recent Figurative Art”, MIT List Visual Arts Center, Cambridge. MA October 16 | |
| 1992 | Initiated and organized silent auction of Yale School of Art faculty work; all proceeds to the Needle Exchange Program, AIDS Outreach and ACT-UP, December 1 | |
| • | Jury for “How We See”, Women’s Center, Yale University, New Haven, CT November 1 |
REVIEWS
| 2011 | Morgenbladet, Norway: “Olsson Anbefaler” by Tommy Olsson, p37 (March 11-17) |
| 2009 | URGE, Richmond, VA: “Form & Story”, by Petie Bogen-Garrett (March 1) |
| 2004 | Dayton Daily News, Dayton, OH, ”Three Voices” unites painters at Wright State” by Ron Rollins, p. F1, F6 (November 7) |
| 2001 | Artnet Magazine, “Drawing Notebook: review by N.F. Karlins (July 10) |
| 2000 | Vancouver Sun, B.C. “A Divine Spark” by Michael Scott, p. B11 (April 10) |
| 1999 | New Yorker, “Goings on About Town: The Aldrich Museum’s The Nude in Contemporary Art”, staff, p. 16 (September 2) |
| • | The Georgia Straight, Vancouver B.C. “Intimate Explorations Gets Under Viewer’s Skin” by Paula Gustavson, (April 22) |
| • | Artichoke, Canada “Small Paintings” by Paula Gustavson, p. 40 (fall/winter issue) |
| • | Aftenposten, Norway “Amerikans Prestisjepris til Rogeberg”, staff, p.26 (April 17) |
| • | Vancouver Sun, B.C. “Hanneline Rogebrg: by Michael Scott, p. C16 (April 15) |
| • | The New York Times: “In Connecticut, the Scars of war, the Works of Peace” by Roberta Smith, p. E36 (July 30) |
| • | Dagsavisen, Norway: “Maler I New York” by Nina Johnsrud, p.22 (Oct. 15) |
| • | VG, Norway: “Svartmaler” by Alf Bjarne Johnsen, p. 37 (May 10) |
| • | Prisma, Norway: “Den Nakne Sannhet” p.9 (fall issue) |
| • | Aftenposten, Norway: “Forstyrrende Hud” by Lotte Sandberg, p.22 (Nov.1) |
| • | Dagsvisen, Norway: “Kvinnekroppen som Subject” by Anne Schaffer, p. 16 (Oct.24) |
| • | Aftenposten, Norway: “Kultur”, p.12 (Oct.16) |
| • | Dagens Naeringsliv, Norway: “Figurativ Feminisme” by Jan Kokkin, p.29 (Oct.16) |
| * | VG, Norway: “Kunstner mot Strommen” by Jens Henrik Stromland, p. 41 (Oct.17) |
| • | Dagbladet, Norway: “Slaande Kroppssprak” by Harald Flohr, p. 4 (Nov 11) 1997 Fort Worth Star Telegram: “It Figures”, staff p. 6 (Sept.6) |
| • | The Dallas Morning News: “Two Artists with Something to Say, Figuratively” by Charles D. Mitchell, p. 22 (Sept.11) |
| 1997 | Los Angeles Times: “Body Language meets the Naked Truth” by Cathy Curtis, p. 24 (Aug. 26) |
| • | Los Angeles Times: “Powerful, Intriguing Works: Corpora in Extremis” by William Wilson, p. 22 (April1) |
| 1996 | The Washington Post: “Interesting Changes in Art” by Jo Ann Lewis, p.43 (Jan.7) |
| 1995 | Artichoke, Canada: “Hanneline Rogeberg:Under the Skin” by Paula Gustavson front cover, p. 15, 16, 17,(fall/winter issue) |
| • | Provocateur: “Hanneline Rogeberg” by Ryan Bookhart, p. 48, 49, 50, 51 (premier issue) |
| • | The Washington Times: “Imaginative Impressions of Norway” by Eleanor Kennelly p. C10 (Nov 19) |
| • | The New York Times: “Multiculturalism is Stressed in “The Reconstructed Figure” by Vivien Raynor, p. 16 (July9) |
| • | The New York Times: Hudson Valley Crop” by Michael Kimmelman, p. C16 (Jul16) |
| • | The Cincinnati Post:”Contemporary Art Center show mystifies, fascinates” by Jerry Stein, p. F1 (June 20) |
| • | The Cincinnati Enquirer: “Artists focus on distressing trend: by Owen Findsen p. F6 ( June 18) |
| 1994 | The Georgia Straight, B.C.:”Hefty Nudes Evoke Sheer Sensation: by Paula Gustavson, p. 50 (Oct 14) |
| • | The Vancouver Sun, B.C.: “The Art that Breeds Discomfort” by Max Wyman p. D3 (Oct.8) |
| • | The New Pacific, Canada: “Forms of Expression” by Carol Berger, p. 26, 27, 28, 29 (summer issue) |
| 1993 | Dagbladet, Norway: “Norsk kvinnekunst til USA” by Inger Bentzrud, p.14 (May 2) Maine Sunday Telegram: “Thoughts on the World, Thoughts about Each Other” By Ken Greenleaf, p. 8E (Nov. 11) |
| • | The Boston Herald: “Exhibit of Narrative Art Shows Underbelly of Life” By Mary Sherman, p. 34, (Nov.5) |
| • | The Boston Globe: “The Naked and the Dread” by Christine Temin, p.61, 65 (Oct.19) |
PUBLICATIONS
| 2012 | Transcribed lecture in English and Norwegian “Painting/Paradox”, Nasjonalmuseet, Oslo, Norway |
| • | Essay for Jeffry Mitchell monograph “Like a Valentine”, Henry Art Museum, Seattle, WA |
| • | Essay in La Norda, in conjunction with “The Rug Pulled Out”, Seattle, WA |
| 2010 | Cover art for “Mr. Worthingtons’s Beautiful Experiments on Splashes” by Genine Lentine, New Michigan Press |
| 2009 | Form and Story, catalog with transcription of panel discussion, University of Richmond Museum |
| • | Figuratively Seeing, Massachusetts College of Art and Design |
| 2008 | Every Body Counts, Vestfossen Kunstlaboratorium, Norway |
| 2006 | Ninth Letter, Vol.3, No.1, University of Illinois at Urbana-Champaign |
| 2004 | Building Tradition: The Northwest Art Collection, Tacoma Art Museum |
| 2001 | Clench/Clutch/Flinch, text by Dominique Nahas, Paul Rodgers Gallery |
| • | Gesundheit, text by Michael Madore, online journal “Artbrain” |
| • | Perceiving Life, exhibition catalog, Frye Art Museum |
| 2000 | Kunstaarboken, Universitetsforlaget, Norway |
| • | The Figure: The Other Side of Modernism, exhibition catalog, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center |
| 1999 | Hanneline Rogeberg, exhibition catalog, Henie-Onstad Kunst Center, Norway |
| • | Fire kvinner Fire Sprak, Henie-Onstad Kunst Centre, Norway |
| • | Zero G: When Gravity Becomes Form, exhibition catalog, Whitney Museum of American Art |
| • | The Nude in Contemporary Art, exhibition catalog, Aldrich Museum of Contemporary Art |
| 1998 | Corpora in Extremis, exhibition brochure, Loyola Marymount University, LA |
| • | Parallaxis, text by Lucy Lippard, Rina Swentzell, published by WESTAF |
| • | Body language, exhibition brochure, Art Institute of Southern California |
| 1996 | Naked Truths, texts by John Yau, Allan de Souza, David Medalla, exhibition catalog, University Museum of Hawaii |
| • | At Century’s End, exhibition catalog, Henie-Onstad Kunst Centre, Norway |
| 1995 | The Reconstructed Figure, exhibition catalog, Katonah Art Museum |
| • | HORIZON: Alternatives, exhibition brochure, text by Elaine King, Contemporary Art Center, Cincinnati |
| • | Vital Signs, exhibition catalog, Municipal Art Gallery, LA |
| 1994 | Hanneline Rogeberg, exhibition catalog, text by Ann Wilson Lloyd, Diane Farris Gallery |
| 1993 | The Anxious Salon, texts by Helaine Posner, Ron Platt, MIT List Visual Arts Center |